Il repertorio
Repertorio FontanaMIX ensemble |
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| Thomas Adès (1971) | Darknesse Visible | 1992 | pf | F A B | 6' |
| Andrea Agostini (1975) | Cinque movimenti | fl, vn, vla, pf | 6' | ||
| In forma di canzone d'amore * | 2015 | fl, cl, bcl, hn, vn, vla, vc, db, perc | 10' | ||
| Claudio Ambrosini (1948) | Vite di suoni illustri | 2012 | fl, cl, vl, vla, vc, pf | 12' | |
| Alessandro Anatrini (1983) | Il suo divertimento era di passeggiare contando le stelle * | 2019 | clb, chit. el., pf, vc | 3' | |
| Maria Stella Andreacchio (1983) | Dell'ultimo orizzonte * | 2019 | flb, clb, pf | 3' | |
| Georges Aperghis (1945) | Secrets élémentaires | 1998 | solo piano | DUR | 14' |
| The only line | 2008/2009 | solo violin | 8' | ||
| La Nuit en tête | 2000 | sop, fl, cl, vn, vc, perc, pf | DUR | 14' | |
| Paolo Aralla (1960) | Es ist Feurer | 1998 | cl, vla, vc, pf | ||
| Architektur der Ebene II * | 2002 | solo piano, fl, ob, cl (bcl), bn, hn, tpt, tbn, perc, 2vn, vla, vc, db | 15' | ||
| Káros | 2003 | flb, live elec | 16' | ||
| Analogie: primo quaderno | 2004 | amplified vc | 11' | ||
| Analogie: secondo quaderno * | 2006 | cl, vn, live elec | 12' | ||
| Analogie: terzo quaderno * | 2007 | fl, cl, vn, vla, vc, pf | 13' | ||
| Analogie: quarto quaderno | 2009 | solo vc, fl, cl, vn, vla, vc, pf | 12' | ||
| Fragile I | 2010 | fl, cl, vn, vla, vc, pf | 8' | ||
| Fragile II * | 2012 | fl (picc, flb), flb (picc), cl (clb), hr, vn, vla, vc, db, pf | 6',30'' | ||
| Ricercare per B. M. * | 2013 | solo hn, fl, cl (bcl), vn, vc, db, egtr, pf, live elec | 14' | ||
| Ricercare per J. H. * | 2013 | bfl, tba, vn, vc, pf | 7',30'' | ||
| On a Forgotten Text * | 2016 | fl, cl, vn, vla, vc, egtr, pf, perc | 13' | ||
| Architektur der Ebene III | 2017 | solo piano | 12' | ||
| Yuval Avital (1977) | Dimdum | 2010 | flb solo | 25' | |
| J. S. Bach (1685-1750) | Contrapunctus IXX (Die Kunst der Fuge) * (arrangement by F. La Licata) | 1747/50 | fl, cl, hr, 2vn, vla, vc, hp, kbd, pf | 9' | |
| Variazioni Goldbach - project around the Goldberg Variations in arrangements for ensemble and electronics by: Alessandro Anatrini, Cristian Gentilini, Paolo Ingrosso, Mino Marani, Alessandro Pivetti, Alessandro Ratoci, Andrea Sarto, Franco Venturini | 2011 | fl (picc, bfl), hn, 2vn, vla, vc, db, gtr, perc, pf | 72' | ||
| Suite n.4 BWV 1010 in do magg., per violoncello | 1717/1723 | vc | |||
| Béla Bartók (1881-1945) | Contrasts | 1938 | cl, vn, pf | B & H | 17' |
| Duetti | 1931 | 2vn | U E | ||
| Howard Bashaw (1957) | The cycle of strength | 2013 | fl, cl, sax, 2vn, vla, vc, db, perc, video | 10' | |
| Luca Belcastro (1964) | Nero * | 2004 | fl, flb, vn, vc, pf | 8'20'' | |
| George Benjamin (1960) | Octet | 1978 | fl (picc.), cl, perc., cel., vn, vla, vc, ctb | F A B | 10' |
| Alban Berg (1885-1935) | Vier stücke op. 5 | 1913 | cl, pf | U E | 7' |
| Sieben frühe lieder | 1928 | voce, pf | U E | 10' | |
| Trio (arrangement Adagio Kammerkonzert) | 1935 | cl, vn, pf | U E | 10' | |
| Sonata, op.1 | 1907/08 | solo piano | 11'30'' | ||
| Sonata, op.1 (arrangement for ensemble by Mino Marani) | ensemble | ||||
| Luciano Berio (1925 - 2003) | Sequenza II | 1963 | solo harp | U E | 8' |
| Folk Songs | 1964 | voce, fl, cl, vla, vc, hp, 2 perc | U E | 18' | |
| Divertimento per trio d'archi | 1946 | vn, vla, vc | R I C | 5' | |
| O' King | 1968 | voce, fl, cl, vn, vc, pf | U E | 6' | |
| Sequenza VIII | 1976 | solo vn | U E | 15' | |
| Sequenza III | 1966 | female voice | U E | 8' | |
| Six Encores | 1965/90 | solo piano | U E | 12' | |
| Chamber music | 1953 | voce, cl, vc, hp | U E | 7'30'' | |
| Bruno Bettinelli (1913 - 2004) | Due Liriche lunari | 1948 | voce, pf | D R A | 3', 30'' |
| William Bolcom (1938) | Three Dance Portraits | 1990 | pf | H A L | 10' |
| Pierre Boulez (1925-2016) | Dérive | 1984 | fl, cl in la, vn, vc, vib, pf | U E | 6' |
| Incises | vers. 2001 | solo piano | U E | 4' | |
| Domaines | 1961/68 | solo cl | U E | var. | |
| Johannes Brahms (1833-1897) | Trio n.3 op.101 | 1886 | vn, vc, pf | 21' | |
| Zwei lieder op. 91 | 1878/84 | voce, vla, pf | 6' | ||
| Sylvano Bussotti (1931) | Tableaux vivants (avant La Passion selon Sade) | 1964 | 2 pf | R I C | |
| John Cage (1912-1992) | The Seasons | 1947 | piano version | P E T | 15' |
| Six Melodies | 1950 | vn, pf | P E T | 15' | |
| Thirteen Harmonies | 1985 | vn, pf | P E T | 38' | |
| String Quartet in Four Parts | 1949/1950 | 2 vn, vla, vc | P E T | 20' | |
| Études boréales I-IV | 1978 | pf | P E T | 15'/20' | |
| Variations III | 1963 | for one or any number of people performing any actions | P E T | ||
| Seven-two | 1990 | flb, clb, tbn, vc, db, 2perc | P E T | ||
| Three pieces for Flute Duet | 1969 | 2 fl | P E T | 6' | |
| 4:33, Four Thirty Three, Four Minutes Thirty Three Seconds | 1948 | Indeterminate | P E T | 4'33'' | |
| Gilberto Cappelli (1952) | Blu oltremare * | 2000 | fl, cl, vn, vla, vc, pf, per | 16' | |
| Blu oltremare, 2a versione * | 2016 | fl, cl, vn, vla, vc, egtr, pf, perc | 16' | ||
| Per Giordano * | 2002 | 2 vn, 2 vle, vc, db | 17' | ||
| Per Fausto * | 2004/2005 | solo vn | 20' | ||
| Maree * | 2009 | fl, cl, perc., pf, vn, vc | 18' | ||
| Per Carlo * | 2012 | vc solo | 8' | ||
| Prima dell'alba * | 2013 | fl, cl, hr, tpt, vn, va, vc, db, extra, pf, perc | 25' | ||
| A te grido * (dal Salmo 27 di Davide) | 2019 | voci e pf | 10' | ||
| Innocente * | 2019 | pf | 25' | ||
| Alberto Caprioli (1956) | Elegia per Carlo Michelstaedter | 1997/1998 | solo ob (ob d'amore), fl (ott.), cl (clb), cr, tb, tbn, perc.(vib, crot., camp, camp grave, 2 trg, sistro, sega, 2 tam tam, 2 gong int., 2 lastre gr., bicchiere di cristallo, p. s., 3 dobachi, glass chimes, frusta, g. c.,) vn, vla, vc, ctb | 13' | |
| Francesco Carluccio (1954) | Nouba dell''abbandono | 2002 | fl, cl in la, vn, vla, vc, pf | 7' | |
| La voce, la pietra * | 2009 | voice, | |||
| Kamanjeh * | 2011 | solo va | |||
| Le conteur * | 2012 | solo club | 3'30'' | ||
| La città (schizzo) * | 2014 | cl, vn, vc, pf | 9' | ||
| Corrado Carnevali (1963) | In selge weiten * | 2008 | fl, cl, vn, vc, pf | 5'20'' | |
| Castagnoli Giulio (1958) | Cloches en noir et blanc | 1992 | clb, hr, vn, vc, perc, pf, syn | 10' | |
| Trio IIb | 1986/87 | fl, clb, pf | 10' | ||
| Gaspar Cassad (1897-1966) | Suite per violoncello solo | 1926 | vc | M U Z | 15' |
| Niccol Castiglioni (1932-1996) | Tropi | 1960 | fl, cl, vn, vc, perc, pf | S Z | 10' |
| Così parl Baldassarre | 1981 | solo voice | R I C | ||
| Aldo Clementi (1925-2011) | Duetto | 1983 | fl, cl, 2 ad libitum instruments (eco) | S Z | 5' |
| Due Canoni | 1994 | fl, vn, pf | S Z | 4' | |
| Lamento (Francesco Pennisi in memoriam) | 2001 | fl, cl, vn, vc, pf | S Z | 6' | |
| 2 X 6 | 2006 | pf, vib [ad libitum] | S Z | ad libitum | |
| Roberto Conz (1955) | Io nel pensier mi fingo * | 2019 | pf | ||
| Collettivo In.Nova Fert |
Sette Canzoni per Bruno (concerto-documentario per i 100 anni di Bruno Maderna) 1. Ti guardo e lacrimo, Venezia mia 2. Dedica 3. Vertical Thoughts 4. Love's Ecstasy 5. Play with Bruno! 6. Di soli, di Astri e altri Satelliti 7. The last interview |
2020 | voce, voce recit., fl (ott., fl in sol), cl (clb), arpa, acc., pf, tast., chit. (chit. el.), vn, vc | 65' | |
| Valentino Corvino (1970) | Omaggio a Sofia Gubaidulina * | 2013 | tba, live elec | 11' | |
| George Crumb (1929) | Five pieces for Piano | 1962 | pf | P E T | 8' |
| Makrokosmos, Volume I twelve Fantasy-Pieces after the Zodiac | 1972 | amplified piano | P E T | 33' | |
| Makrokosmos, Volume II twelve Fantasy-Pieces after the Zodiac | 1973 | amplified piano | P E T | 33' | |
| The Sleeper | 1984 | sop, pf | P E T | 3' | |
| Songs, Drones, and Refrains of Death | 1968 | 2 perc, egtr, amplified piano (Clavichord) | P E T | 30' | |
| Four Nocturnes (Night Music II) | 1964 | vn, pf | P E T | ||
| Vox Balaenae (Voice of the Whale) | 1971 | elec fl, elec vc, amplified pf | P E T | 20' | |
| Black Angels | 1970 | elec string quartet | P E T | 25' | |
| Otherworldly Resonances | 2003/2005 | 2 pf | P E T | 19' | |
| Eleven Echoes of Autumn | 1965 | flb, cl, vn, pf | P E T | 18' | |
| Luigi Dallapiccola (1904-1975) | Cinque frammenti di Saffo (Liriche greche I) | 1942 | 2 fl, ob, 3 cl, bn, hr, tpt, vn, va, vc, db, hp, pf (cel) | S Z | 8' |
| Due liriche di Anacreonte (Liriche greche II) | 1945 | fv, bcl, ecl, va, pf | S Z | 6' | |
| Sex Carmina Alcaei (Liriche greche III) | 1943 | voce femm, fl, ob, cl, fg, cr, tb, arpa, pf, vl, vla, vc | S Z | 10' | |
| Quaderno musicale di Annalibera | 1952 | solo piano | S Z | 14' | |
| Michele Dall'Ongaro (1957) | Quartetto n. 5 * | 2004 | string quartet | ||
| Claude Debussy (1862-1918) | Brouillards, La puerta del vino (II Livre, Prèludes pour piano) - arrangement Alessandro Pivetti | 2009 | fl (sol), cl (clb), pf, 2 vni, vla, vc, ctb | D U R | 15' |
| En blanc et noir | 1915 | 2 pf | D U R | 16' | |
| Prélude à l'après-midi - arrangement Benno Sachs | 1921 | fl, ob, cl, pf, perc, 2 vni, vla, vc, ctb | B E L | 12' | |
| Préludes - Premier livre (arrangiamenti per ensemble di Paolo Aralla, Nicola Evangelisti e Francesco La Licata) | 2018 | fl, cl, vn, vla, vc, pf, perc. (vib., cassa, piatti) | 30' | ||
| Giuseppe Maria C. Dall'Abaco (1710-1805) | Capricci per violoncello | vc | |||
| Francesco Del Nero | Sì che non accada simultaneamente il nulla * | 2016 | fl, cl, vn, vc, pf | 7' | |
| Luigi Denza (1846-1922) | Funiculì - Funiculà - arrangement Arnold Schoenberg | 1921 | cl, mand, chit, vn,vla, vc | B E L | 3' |
| Luis De Pablo (1930) | Retratos y reanscripciones | 1984 | pf | S Z | 12' |
| Franco Donatoni (1927-2000) | Argot, due pezzi per violino solo | 1979 | vn solo | R I C | 5' |
| Françoise Variationen (1-7) | 1983 | pf solo | R I C | 12' | |
| Arpège | 1986 | fl, cl, perc, pf, vn, vc | R I C | 12' | |
| Ronda | 1984 | vn, vla, vc, pf | R I C | 12' | |
| Soft | 1989 | clb solo | R I C | 10' | |
| …ed insieme bussarono | 1978 | voice, pf | R I C | 5' | |
| Hugues Dufourt (1943) | Meeresstille | 1997 | solo pf | L E M | 16' |
| Tan Dun (1957) | Concerto for Six | 1997 | clb, per, pf prep, chit el, vc, ctb | S C H I | 12' |
| Hanns Eisler (1898-1962) | Palmström | 1926 | voice, fl, cl, vn, vla, vc | UE | 6' |
| Die römische Kantate op.60 | 1935 | voice, 2 cl, vla, vc | UE | 7' | |
| Kantate im Exil op. 62 | 1935 | voice, 2 cl, vla, vc | UE | 7' | |
| Vierzehn Arten den Regen zu beschreiben op. 70 | 1941 | fl, cl, vn, vla, vc, pf | P E T | 15' | |
| Péter Eötvös (1944) | Music for New York | 1971 | cl, tape | 10',40'' | |
| Ijnveiq de Ernestine | Requiem * | 2004 | 7 voices (4 sopr, 3 altos), fl, tb, tbn, vn el, vn, vla, vc, ctb, live electronics | 12' | |
| Nicola Evangelisti (1964) | Naufrages II | 2007 | fl, cl (clb), pf, perc, vl, vc | 10' | |
| Sables lunaire (Naufrages III) | 2008 | fl, cl (clb), pf, vl, vc | 10' | ||
| Croon II | 2009 | fl, vc | 16' | ||
| Sine tempore insulae | 2009 | clb solo | 22' | ||
| Sine tempore insulae | 2012 | clb, live electronics | 22' | ||
| Miniatura X | 2012 | vc solo | 3' | ||
| Pharos | 2014 | sopr, cr.i, vc, chit, live electronics | 13' | ||
| Osmosis I | 2016 | chit, live electronics | 10' | ||
| Ivan Fedele (1953) | Modus | 1988/1995 | clb, perc | S Z | 8' |
| Homagesquisse | 2015 | vc solo | S Z | 6' | |
| Études - Études boréales | 1990 | pf solo | S Z | 15' | |
| Palimpsest | 2006/07 | string quartet | S Z | 18' | |
| Imaginary islands | 1992 | fl, clb, pf | S Z | 10' | |
| Immagini da Escher | 2005 | fl, cl, vib, pf, vn, vc | S Z | 16' | |
| Thrilling wings | 2013 | vn solo | S Z | 7' | |
| Morton Feldman (1926-1987) | Duration I | 1960 | fl sol, pf, vno, vc | P E T | 10' |
| De Kooning | 1963 | cr, pf, perc, vl, vc | P E T | 9' | |
| The viola in my life II | 1970 | vla, fl, cl, perc, cel, vn, vc | U E | 12' | |
| Samuel Beckett, Words & Music | 1987 | 2 speakers, 2 fl, vib, pf, vn, vla, vc | U E | 40' | |
| Michele Foresi (1988) | La piscia nel postro portone * | 2019 | fl, clb, vn, vc | 3' | |
| Armando Gagliano (1963) | Frammento imperfetto alla melancolia * | 2019 | fl, cl, vn, vc, pf | 3' | |
| Ge Gan-Ru (1954) | Four Studies of Peking Opera | 2003/2006 | pf, string quartet | 15' | |
| Annachiara Gedda (1986) | The witching time of the night | 2013 | vn solo | 8' | |
| Cristian Gentilini (?) | The Airy Violin | 2015 | vn solo | 15' | |
| Armando Gentilucci (1939-1993) | Al telaio del tempo | 1983 | cl | R I C | 10' |
| Stefano Gervasoni (1962) | Im Sommer (da Aster Lieder) | 2011 | voice, vc | S Z | 6' |
| Daniele Ghisi (1984) | abroad (7 Lieder on poems by Fernando Pessoa) | 2011 | fl, cl, tb, pf, perc., vn, vla, vc, live electronics | R I C | 28' |
| Orlando Gibbons (1583 - 1625) | The cries of London (arr. by FontanaMIXensemble) | 2016 | fl, cl, cr, arpa, acc, 2 vni, vla, vc, ctb | 5' | |
| Alberto Ginastera (1916 - 1983) | Suite de Danzas Criollas op. 15 | 1946 | pf | B & H | 8' |
| Philip Glass (1937) | String quartet n. 5 | 1991 | string quartet | D U N | 22' |
| Gioia Gurioli (1985) | Segmente * | 2019 | fl, cl, vn, vc | 3' | |
| Gérard Grisey (1946 - 1998) | Prologue | 1976 | vla sola | R I C | 15' |
| Taléa, ou la machine et les herbes folles | 1985/86 | fl, cl, vn, vc, pf | R I C | 15' | |
| Vortex temporum | 1994 /96 | fl (+ picc, flb), cl (+ clb), vn, vla, vc, pf | R I C | 40' | |
| Charme | 1969 | cl solo | R I C | 6' | |
| Wolf Lieder | 1997 | voice, cl, cr basset, cr, 2 vni, vla, vc, ctb | R I C | 10' | |
| Adriano Guarnieri (1947) | Sospeso d'incanto n. 3 | 2015 | pf solo | R A I | 12' |
| L'alba dei suoni * | 2016 | fl, acc, vn, vc | R A I | 11' | |
| Virginia Guastella (1979) | Une vague peut en cacher une autre * | 2016 | vn, vc, pf | 15' | |
| Naufragar m'è dolce * | 2019 | flb, clb, chit., vn, vc | 3' | ||
| Sofia Gubaidulina (1931) | Silenzio | 1991 | acc, vn, vc | S I K O | 20' |
| String quartet n. 4 | 1993 | sting quartet, tape | S I K O | 12' | |
| Sieben Worte | 1982 | vc, acc, 5 vn I, 4 vn II, 3 vle, 2 vc | S I K O | 32' | |
| Lamento | 1977 | tuba, pf | S I K O | 5' | |
| In Croce | 1979/91 | vc, org | S I K O | 15' | |
| Der Seiltänzer | 1993 | vn, pf | S I K O | 12' | |
| Saad Haddad (1992) | Kaman Fantasy | 2014 | vn, pf | D I B | 15' |
| Peter Hannan (1953) | your ghost: my machine | 2001 | vn, cl, perc, pf, vc, | 18' | |
| Jonathan Harvey (1939 - 2012) | Flight-Elegy | 1983/84 | vn, pf | F A B | 9' |
| Song Offerings | 1985 | soprano, fl (+ fl sol), cl, pf, 2 vni, vla, vc, ctb | F A B | 17' | |
| Tombeau de Messiaen | 1994 | pf, tape | F A B | 9' | |
| Curve with plateaux | 1982 | vc solo | F A B | 12' | |
| Georg Friedrich Haas (1953) | AUS-WEG | 2010 | fl, ob bar., clb, perc., pf, vn, vla, vc | U E | 19' |
| Peter Hatch (1957) | Music is a beautiful desease | 1999 | cl, vl, perc, pf, vn, vc | 15' | |
| Jimi Hendrix (1942-1970) | Purple Haze (elaborazione F. La Licata) | 2019 | fl, cl, vn, vla, vc, chit. el., basso el., tast. | 4' | |
| Paul Hindemith (1895-1963) | Sonata op. 25 n. 3 | 1922 | vc | S C H | 12' |
| Matthias Hopf | Ove per poco * | 2019 | fl, cl, chit., pf, vn, vc | 3' | |
| Toshio Hosokawa (1955) | Winter bird | 1978 | vn solo | S C H | 14' |
| Bird fragment III | 1990 | shô, flb | S C H | 7' | |
| Lanscape IV | 1993 | 2 vni, vla, vc | S C H | 18' | |
| Vertical song I | 1995 | fl solo | S C H | 9' | |
| Wie ein Atmen im Lichte | 2002 | shô | S C H | 6' | |
| Klaus Huber (1924 - 2017) | Ein Hauch von Unzeit I (Plainte sur la perte de la réflexion musicale) | 1972 | fl | B R E I | 12' |
| Schattenblätter | 1975 | clb, pf, vc | R I C | 12' | |
| Alfredo Impullitti (1968 - 2002) | Tre Improvvisi op.10 | 2002 | org, fl, tb, tbn, perc., 2 vni, vla, vc, ctb | 10' | |
| Federico Incardona (1958 - 2006) | Mehr Licht (versione per voce e ensemble) | 1987 | voce femm, vl, pf, fl, cl, cr, vla, vc, perc | 10' | |
| Mehr Licht | 1986 | vl, pf | R I C | 10' | |
| Sulla lontananza dell'amico dilettissimo | 1986 | vl, flb, pf , cel | 7' | ||
| Ritratto di giovine (versione 2000) | 1981 | sax a, fl, ob, cl, fg, cr, tb, tbn, 2 vni, vla, vc, ctb | 11' | ||
| Il far della luna | 2000 | fl, cl, vl, vc, pf | 6' | ||
| "Malor me bat, Graffito da Ockeghem: omaggio a Luigi Nono" | 1995 | vn, vla, vc, per. | 8'30'' | ||
| Atli Ingolfsson (1962) | Due Bagatelle, con risonanze | 1997 | cl solo + 3 or more background instruments | 7' | |
| Object of terror | 2000 | fl, ob, cl, bn, cr, tb, tbn , perc , pf, 2 vn , vla, vc, cb | R I C | 15'30'' | |
| Paolo Ingrosso (1980) | Ordalia della Danza * | 2009 | fl, cl, sax, vn, vla, vc, ctb | 9'30'' | |
| Alfred Jimenez | Indecent Symmetries * | 2016 | fl, cl, vn, vla, vc, pf | 6' | |
| Leos Janácek (1854-1928) | Concertino | 1925 | pf, cl, fg, cr, 2 vl, vla | S U P R | 20' |
| Justė Janulytė (1982) | Psalms | 2008 | vc, live electronics | 11' | |
| Sandglasses (Clessidre) version for string quartet and live electronics * |
version for string quartet, live electronics | 50' | |||
| Thuridur Jonsdottir (1967) | Incerti Frammenti * | 1999 | fl, clb, vibr, pf, vn, vla, vc | 5' | |
| Mauricio Kagel (1931 - 2008) | Die Stücke der Windrose: Osten (1988/89) Norden (1993/94) Nordwesten (1991) Westen (1993/94) Nordosten (1991) |
1988/94 | cl, harm, pf, 2 vni, vla, vc, ctb | U E | 65' |
| Match | 1964 | 2 vc, perc | U E | 20' | |
| An Tasten | 1977 | solo piano | U E | 18' | |
| Kantrimusik (pastorale for voices and instruments) |
1973/75 | sopr, mezzo sopr, tenor, cl, tb, tuba, 2 chit, pf, vn, | U E | 48' | |
| Passé composé - KlavierRhapsodie | 1992/1993 | P E T | |||
| Giya Kancheli (1935) | Night Prayers | 1992 | string quartet | S C H I/ S I K | 23' |
| Georgia Koumará (1991) | Astropedo | 2012 | voce, pf | 9' | |
| György Kurtág (1926) | Hommage à R. Sch., op.15 d | 1990 | cl, vla, pf | E M B | 12' |
| Eszká emlékza [S.K. Remembrance Noise] su testi di D. Tandori |
1975 | voice, pf | E M B | 8' | |
| Drei alte Inschriften, op. 25 | 1986-87 | voice, pf | E M B | 6' | |
| Signs, messages and games (excerpts) | 1989… | vn, vla, vc | E M B | … | |
| Jatékók (excerpts from Volume 4) | 1973 -2010 | pf 4 hands | E M B | 12' | |
| Ombres, extrait de "... sospiri, gemiti …" | 2004/05 | vla, vc | E M B | 6' | |
| Hommage à Jacob Obrecht | string quartet | E M B | 3' | ||
| Trancriptions from Machault to J.S.Bach (excerpts) | 1991 | pf four hands | E M B | … | |
| … What is the Word op. 30a | voice, pf | ||||
| Francesco La Licata (1957) | L'essenza e il soffio II (version for 7 instruments) |
1999 | flb, clb, vn, vla, vc, vib, pf | 9' | |
| L'Angelo e il Golem (variazioni scenico musicali) | 2000 | ms, ten, sopranista, flauto dolce contrabasso, voce recitante e 15 strumenti: cl, clb, sax, fg, cr, tb, tbn, acc., pf, perc, vl, vla, 2 vc, ctb | 1h30' | ||
| Tre pezzi da L'Angelo e il
Golem: - La Madre - Il Cunto - L'Angelo infelice |
2004 | mezzo sopr, speaker, sopranista | 30' | ||
| Chant pour un equinoxe V * (version for viola and ensemble) |
2004 | solo viola, fl (flb), ob, cl, fg, cr, tb, tbn, vib, pf (with E-bow), vn, vla, vc, ctb | 12' | ||
| Klee's Angels * - Approssimazione di Lucifero - Angelo della stella - Fuoco = Angelo, spirito del fuoco |
2007 | clb, vn | 12' | ||
| Okeanos * | 2009 | pf, perc | R A I | 16' | |
| Maîtrise du feu * | 2010 | amplified cello | R A I | 16' | |
| Amergin Song | 2012 | R A I | 16' | ||
| György Ligeti (1923 - 2006) | Sonata | 1948/1953 | vc solo | S C H | 9' |
| Concerto for cello and orchestra (chamber version) | 1966 | fl (picc), ob (cor ingl), 2 cl (I + clb), fg, cr, tb, tbn, arpa, 2 vni, vla, vc, ctb | P E T | 15' | |
| Kammerkonzert, Für 13 Instrumentalisten | 1969/70 | fl (picc), ob (cor ingl, ob amore), 2 cl (I + clb), fg, cr, tbn, pf (cel), clav. (el org), 2 vni, vla, vc, ctb | S C H | 21' | |
| Monument, Selbstportrait, Bewegung, three pieces for two pianos | 1976 | 2 pianos | S C H | 17' | |
| Sting Quartet n. 2 | 1968 | string quartet | S C H | 22' | |
| Hommage à Hilding Rosenberg | 1982 | vn, vc | S C H | 3' | |
| José Manuel López López (1956) | In Memoriam Joaquín Homs | 2005 | solo piano | 4' | |
| Antonio Macaretti (1982) | AT-TE-SA * | 2019 | fl, cl, vn, vc | 3' | |
| Guillaume de Machault (1300/05 – 1377) | Rondeaux, arrangement by Valentino Corvino | 2011 | string quartet | 7' | |
| Steven Mackey (1956) | Cairn | 1994 | el. chit. | B & H | 5' |
| Bruno Maderna (1920-1973) | Dialodia | 1972 | fl, ob (or 2 wind instrum. ad libitum) | S Z | 4' |
| Serenata n. 2 per 11 strumenti | 1957 | fl, cl, clb, cr, tb, arpa, pf, perc, vl, vla, ctb | S Z | 12' | |
| Widmung | 1967 | vn solo | S Z | 12' | |
| Serenata per un satellite, arrangement by Francesco La Licata * | 1969 | picc, fl, cl, cl, clb, cr, tb, chit el, glock, vib, pf, arpa, 2 vn, vla, 2 vc, ctb | 10' | ||
| Viola | 1971 | vla sola | R I C | 7' | |
| Y después | 1972 | chit sola | R I C | 9' | |
| Aulodia per Lothar | 1965 | ob (ob d'amore), chic ad libitum | S Z | 8'30'' | |
| Gustav Mahler (1860- 1911) | Lieder eines fahrenden Gesellen (arrangement Schoenberg) | 1920 | voce, fl, cl, harm., pf, perc., 2 vl, vla, vc, ctb | B E L | 12' |
| Der Abschied ("Das Lied von der Erde"), arrangement by Arnold Schoenberg (1921) and completed by Rainer Riehn (1983) | 1983 | voice, fl (picc), ob (cor ingl), cl (clb), fg, cr, harm (cel), pf, perc, 2 vn, vla, vc, ctb | 15' | ||
| Des Antonius von Padua Fischpredigt (Des Knaben Wunderhorn), arrangement Francesco La Licata | 2016 | voice, fl, cl, cr, arpa, keyboard, pf, 2 vn, vla, vc, ctb | 11' | ||
| Giorgio Magnanensi (1960) | Titál * | 2009 | vc solo, fl, cl, perc, pf | 7' | |
| Philip Maintz (1977) | Tourbillon | 2008 | vn, vc, pf | 6' | |
| Mino Marani (1985) | the unasked question (anamorfosi inutile) * | 2019 | flb, clb, pf, chit., vn, vc | 3' | |
| Martìn Matalon (1958) | Dos formas del tiempo | 2000 | solo pf | 7' | |
| Olivier Messiaen (1908 - 1992) | Le merle noir | 1951 | fl, pf | L E D | 6' |
| Quatuor pour la fin du Temps | 1940 | cl, vn, vc, pf | D U R | 50' | |
| Claudio Monteverdi (1567 - 1643) | Hor che'l ciel e la terra, arrangement by FontanaMIXensemble | 2016 | voice, ud, vn, vlca, vc, ctb | 10' | |
| Vittorio Montalti (1984) | Don't shot the piano players | 2011 | solo pf | S Z | 10' |
| Tristan Murail (1947) | Estuaire | 1971/72 | pf solo | L E M | 9' |
| Treize couleurs du soleil couchant | 1978/79 | fl, cl, vn, vc, pf | E M T | 13' | |
| Territoires de l'oubli | 1976/77 | solo pf | E M T | 25' | |
| C'est un jardin secret, ma soeur, ma fiancée, une fontaine close, une source scellée ... | 1976 | viola sola | E M T | 4' | |
| Unanswered questions | 1995 | fl solo | L E M | 5' | |
| Les ruines circulaires | 2006 | cl, vn | L E M | 5' | |
| Ethers | 1978 | fl, cl, tbn, vla, vc, ctb, maracas, live electronics | E M T | 21' | |
| La Mandragore | 1993 | solo pf | L E M | 10' | |
| Vampyr! | 1984 | chit el solo | S A L | 9' | |
| Winter Fragments | 2000 | fl, cl, pf, vn, vc, midi keyboard, live electronics | L E M | 13' | |
| Modest Musorgskij (1839 - 1881) | Songs and Dances of Death (1875-77) arrangements by Gilberto Cappelli, Francesco Carluccio, Francesco La Licata, Yoichi Sugiyama | 2013 | fl, fl (alto, flb), cl (clb), cr, pf, vn, vla, vc, ctb | 20' | |
| Luigi Nono (1924 - 1990) | Polifonica-monodia-ritmica | 1951 | fl, cl, clb, cr, sax alto, pf, 4 perc | A R S | 10' |
| Sofferte onde serene | 1974-76 | pf solo, tape | I M I | 14' | |
| Maurice Ohana (1913 - 1992) | So Tango | 1991 | pf | J O B | 3' |
| Betty Olivero (1954) | Serafi'm (Angels) | 2002 | voice, cl, pf, vn, vc | 10' | |
| Per viola | 1993 | vla sola | 12' | ||
| Michael Oesterle (1968) | November | ? | pf solo | ? | |
| Juliet Palmer (1967) | Mother Hubbard | 2004 | cl, perc, pf, vn, vla, vc | 15' | |
| Marcello Panni (1940) | Hanjo opera da camera in un atto su testo di Marcello Panni, da Yukio Mishima |
1994/2016 | fl (fl in sol), cl (clb), vn, vc, pf, perc. | U E | 60' |
| Francesco Pennisi (1934-2000) | Acanthis, op.43 | 1981 | fl, pf | R I C | 7' |
| Roberta Peroni (1983) | Io nel pensier mio * | 2019 | cl, vc, pf | 3' | |
| Paolo Perezzani (1955) | Il volto della notte | 1987 | fl, cl (clb), pf | R I C | 10' |
| Goffredo Petrassi (1904-2003) | Elogio per un'ombra | 1971 | vn solo | S Z | 13' |
| Fremiti fermi * | 2008 | vn, chit, acc | |||
| Elisa Quarello Sahin (1985) | Io nel pensier mi fingo * | 2019 | fl (flb), clb, pf, vn, vc | 3' | |
| Maurizio Pisati (1959) | GlyphoZoo * | 2008 | vn, chit, acc, tape, video | ||
| Parafrasi scarlatta * | 2011 | chit, ctb | 4' | ||
| Horatiu Radulescu (1942 - 2008) | Cradle to Abysses - Prima Sonata per piano | 1968 | pf | 14' | |
| Maurice Ravel (1866-1925) | Trio in A min. | 1914 | vn, vla, vc | D U R | 28' |
| Introduction et Allegro | 1905 | arpa, fl, cl, 2 vl, vla, vc | D U R | 15' | |
| Chansons Madécasses | 1926 | voce femm, fl, pf, vc | D U R | 10' | |
| Sonate pour violon et violoncelle | 1920/1922 | vn, vc | D U R | 20' | |
| Steve Reich (1936) | Eight Lines | 1983 | 2 fl, 2 cl, 2 pf, 4 vni, 2 vle, 2 vc | B & H | 18' |
| Different trains | 1988 | string quartet, tape | B & H | 27' | |
| New York Counterpoint | 1985 | cl, tape | B & H | 12' | |
| Wolfgang Rihm (1952) | Hölderlin-fragmente | 1976/77 | voce e pf | U E | 10' |
| Séraphin-Sphäre | (1993/96) rev. 2006 | fl (picc, flb) , ob (c i), cl ctb, tb, tbn, arpa, 2 pf, vn, vla, vc, ctb | UE | 20' | |
| Chiffre IV | 1983/84 | clb, vc, pf | UE | 5' | |
| Fremde Szene III | 1983/84 | vn, vc, pf | U E | 15' | |
| Terry Riley (1935) | In C | 1964 | for any instruments | A M P | var. |
| Fausto Romitelli (1963 - 2004) | La sabbia del tempo | 1991 | fl (piic, flb), cl (clb), keyboard, vn, vla, vc | R I C | 13' |
| Trash TV Trance | 2002 | chit el | R I C | 12' | |
| Domeniche alla periferia dell'impero | 1996/2000 | fl, cl, vn, vc | R I C | 11' | |
| Doina Rotaru (1951) | Fragile | 2014 | cl, vn, vla, vc, pf | 6' | |
| Kaija Saariaho (1952) | Grammaire des Rêves | 1988 | soprano, contralto, 2 fl, arpa, vla, vc | W H | 11' |
| Petals | 1988 | vc, live electronics | W H | 8' | |
| Nocturne, in memory of Witold Lutoslawski | 1994 | vn solo | C H E | 6' | |
| Cendres | 1998 | fl sol, vc, pf | C H E | 10' | |
| Andrea Saba (1964) | Vite a viola con spalla * | 2005 | fl, cl, vn, vc, pf | 8' | |
| Luigi Sammarchi (1962) | E come il vento odo stormi… * | 2019 | fl (flb), cl | 3' | |
| Raffaele Sargenti (1980) | Limes I | 2015 | vn, pf | 8' | |
| Andrea Sarto (1979) | Tau * | 2009 | ctb, fl, cl, pf, vn, vla, vc | 9' | |
| Come frecce nella tua mano | 2010 | vla, live electronics | 6'30'' | ||
| Noli.Me.Tangere * | 2016 | fl, cl, pf, perc, vn, vc | 13' | ||
| Domenico Scarlatti (1685 - 1757) | Tre sonate, traduzioni per chitarra di Maurizio Pisati | 2011 | chit sola | 10' | |
| Giacinto Scelsi (1905 - 1988) | Poèmes (4) (à la mémoire d'Alban Berg) | 1936/39 | pf solo | S A L | 9' |
| Quattro Illustrazioni | 1953 | pf | S A L | 10' | |
| Tre pezzi | 1956 | sax sopr | S A L | 6' | |
| Suite n. 11 | 1956 | pf solo | S A L | 9' | |
| Ixor | 1956 | cl solo | S A L | 4' | |
| Kya (versione per sax e strum.) | 1959 | sax sol, c. i., clb, cr, tb, tbn, vla, vc | S A L | 14' | |
| Elohim | 1960 | 10 strings | 5' | ||
| Quartetto n. 3 | 1963 | string quartet | S A L | 16' | |
| Hnoybis | 1964 | vn solo | S A L | 14' | |
| Igghur | 1965 | vc solo | S A L | 14' | |
| Ko-lho | 1966 | fl, cl | S A L | 7' | |
| Ko-tha, tre danze di Shiva | 1967 | chit sola | S A L | 9' | |
| Natura renovatur | 1967 | 11 strings (3 vn I, 3 vn II, 2 vle, 2 vc, ctb) | S A L | 11' | |
| Mantram | 1967 | ctb | S A L | 5' | |
| Riti: I funerali di Carlo Magno | 1976 | vc, perc | S A L | 10' | |
| Pranam II | 1973 | 2 fl, clb, el org, vn, vla, vc, ctb | S A L | 5' | |
| Riti: I funerali di Carlo Magno | 1976 | vc, perc | S A L | 10' | |
| Maknongan | 1976 | ctb | S A L | 4' | |
| Trio per archi | 1958 | vn, vla, vc | S A L | 9' | |
| Arnold Schoenberg (1874-1951) | Sechs Stücke für Klavier zu vier Händen | 1895/96 | pf 4 hands | 7' | |
| Verklärte Nacht, op. 4 | 1899 | 2 vn, 2 vle, 2 vc | U E | 28' | |
| Vier Lieder für eine Singstimme und Klavier, op. 2 | 1899/1900 | voice, pf | U E | 12' | |
| Nachtwandler (da Brettl-lieder) | 1901 | voce, ott, tb, tamb. mil., pf | U E | 5' | |
| Drei Stücke (fragment) | 1910 | fl, ob, cl, fg, cr, cel, harm, 2 vl, vla, vc, ctb | B E L | 3', 50'' | |
| Sechs Kleine Klavierstücke op. 19 | 1911 | pf | U E | 6' | |
| Herzgewächse op. 20 | 1911 | sopr, cel, harm, arpa | U E | 4' | |
| Pierrot Lunaire op. 21 | 1912 | voce femm, fl (ott), cl (cl la, clb), vl, vla, vc, pf | U E | 25' | |
| Die eiserne Brigade | 1916 | pf, 2 vl, vla, vc | 5' | ||
| Lied der Waldtaube (Gurrelieder), arrangement Alban Berg | 1922 | voce, pf | U E | 13' | |
| Begleitmusik zu einer Lichtspielszene op. 34 (1930) - arrangement Johannes Schöllhorn | 1991 | fl, ob, cl, pf, harm, 2 perc, 2 vni, vla, vc, ctb | U E | 9' | |
| A Survivor from Warsaw (1947) - arrangement Francesco La Licata | 2015 | speakers, men choir, fl, cl, clb, sax bar, cr, pf, 3 perc, vn, vla, vc, ctb | 7' | ||
| Ode to Napoleon Bonaparte, op. 41 | 1942 | speaker, string quartet, pf | B E L | 15' | |
| Salvatore Sciarrino (1947) | Esercizio | 1972 | pf solo | R I C | 1' |
| Tre notturni brillanti | 1974/75 | vla sola | R I C | 9' | |
| Sei capricci | 1976 | vn solo | R I C | 18' | |
| D'un faune | 1980 | fl sol, pf | R I C | 9' | |
| Introduzione all'oscuro | 1981 | fl, ob, cl, fg, cr, tb, tbn, 2 vl, vla, vc, ctb | R I C | 15' | |
| Melencolia I | 1981 | vc e pf | R I C | 7' | |
| Lo spazio inverso | 1984 | fl, cl, cel, vl, vc | R I C | 6' | |
| Canzona di ringraziamento | 1985 | fl solo | R I C | 7' | |
| Esplorazione del bianco I | 1986 | ctb solo | R I C | 7' | |
| Esplorazione del bianco II | 1986 | fl, clb, chit, vn | R I C | 5' | |
| Variazione su uno spazio ricurvo | 1990 | pf solo | R I C | 3' | |
| Perduto in una città d'acque | 1990/91 | pf solo | R I C | 9' | |
| Le voci sottovetro, elaborazioni da Carlo Gesualdo di Venosa | 1988 | voice, flb (fl do), c i, clb, perc,vn, vla, vc | R I C | 15' | |
| Gesualdo senza parole | 2013 | fl sol, ob, cl, perc, vn, vla, vc | R A I | 14' | |
| Stefano Scodanibbio (1956 - 2012) | Mas Lugares | string quartet | 20' | ||
| Jonatan Sersam (1986) | Sånger * | 2016 | flb, viola | 5' | |
| Frön * | 2015 | vn, cl, vc, pf | 4' | ||
| a questa voce * | 2019 | fl, cl, chit., pf, vn, vc, | 3' | ||
| Rodney Sharman (1958) | Dark glasses * | 1988 | fl, clb, pf, perc, vn, vla, vc, ctb | 11' | |
| Dimitri Sillato (1972) | New York Condensation * | 2019 | fl, cl, arpa, el. chit. | 5' | |
| Alessandro Solbiati (1956) | Insieme * | 2017 | fl, ob, cl, clb, cel, vib, 2 vni, vla, vc | S Z | 12' |
| Josef Söreke | Kul utan Gud (Fun Without God) * | 2016 | fl, cl, pf, vn, vla, vc | 7' | |
| Marco Spagnolo (1978) | Chien (In_fine) * | 2019 | fl, cl, vn, vla, vc, pf | 3' | |
| Karlheinz Stockausen (1928 - 2007) | Tierkreis. 12 Melodien der Sternzeichen (1975-76) - arrangements by Cristian Gentilini, Alessandro Ratoci, Andrea Sarto e Franco Venturini * | 2006 | voice, fl, cl, vn, vla, vc, pf | ||
| Mantra,für 2 Pianisten | 1970 | 2 pf (wood-bloks, crotali), live electronics | S T V | 67' | |
| Oscar Strasnoy (1970) | Exercices de Latinité | 2002 | pf | B I L | 5' |
| Igor Strawinsky (1882-1971) | Piano-Rag-Music | 1919 | pf | C H E | 3' |
| Tango | 1940 | pf | M E M | 4',30'' | |
| Elegia | 1944 | vl | C H A P | 4',30'' | |
| Three Pieces for Clarinet | 1920 | cl | C H E | 4' | |
| Three songs of William Shakespeare | 1953 | m. sopr, fl, cl, vla | B & H | 6',30'' | |
| Yoichi Sugiyama (1969) | Intermezzo | 2000 | pf solo | 10' | |
| Fumio Tamura (1968) | Acorus calamus * | 2005 | string ensemble | ||
| Yoshifumi Tanaka (1968) | How do you remember a melody? | 2005 | 2 vn, 2 vle, 2 vc, 2 ctb | 7' | |
| Sachiyo Tsurumi (1976) | Variation | 1997 | 2 vn, 2 vle, vc | ||
| Galina Ivanovna Ustvol'skaja (1919- - 2006) | Compositio n. 1 "Dona nobis pacem" | 1970/71 | picc, tuba, pf | S I K O | 17' |
| Edgar Varese (1983-1965) | Density 21.5 | 1936 | fl | R I C | 4' |
| Franco Venturini (1977) | Erodìa * | 2009 | 2 vle, live electronics | 9' | |
| Sur l'aile du tourbillion intelligent | 2010 | pf solo | 15' | ||
| Tre immagini di morte * | 2012 | fl (picc), cl (clb), pf, vn, vla, vc, ctb | 12' | ||
| Q. E. D. * | 2016 | fl (picc, flb), cl (clb), chit el, perc, vn, vla, vc | 17' | ||
| Kevin Volans (1949) | White man sleeps - string quartet n.1 | 1982 | string quartet | C H E | 23' |
| Anton Webern (1883-1945) | Vier Stücke op.7 | 1914 | vn, pf | U E | 4' |
| Drei Kleine Stücke op.11 | 1914 | vc, pf | U E | 2' | |
| Kurt Weill (1900 - 1950) | Three Songs (2007) I - Lost in the Stars II - Speak Low III - My Ship - arrangement Alessandro Ratoci | voce, fl, cl, sax alto, chit, 2 vn, vla, vc | 11' | ||
| Iannis Xenakis (192 - 2001) | Acanthos | 1977 | voice, fl, cl, pf, 2 vn, vla, vc, ctb | S A L | 11' |
| Bernd Alois Zimmermann (1918 - 1970) | Prèsence, ballet blanc en cinq scènes | 1961 | vn, vc, pf, speaker | S C H | 30' |
| Fünf Lieder | 1942/1946 | voce, pf | S C H | 10' | |
Legenda (Edizioni):
A M P = Associated Music Publishers
A R S = Ars Viva Verlag
B & H = Boosey & Hawkes
Bmg Ar = Bmg Ariola
B E L = Belmont Music
B I L = Edition Billaudot
B R E I = Breitkopf & Härtel
C H A P = Chappel
C H E = Chester Music
C U R = Curci
D I B = Dib Press
D R A = Edizioni A. Drago
D U N = Dunvagen Music Publishers
D U R = Durand
E M T = Ed. Musicales Transatlantiques
E V = Elgan Vogel
E M B = Editio Musica Budapest
E P = Edi Pan
E S C H = Max Eschig
F A B = Faber Music
J O B = Jobert
H A L = Hal Leonard
H A M = Hamelle
I M I = Israel Music Institut
L E D = Alphonse Leduc
L E M = Lemoine
M E M = Mercury Music
M U Z = Muzgiz (Muzyka)
O B L = L’Oblio
P E E R = Peer Music
P E T = Peters
Q P = Quaderni Perugini
R A I = Raitrade
R I C = BMG Ricordi
R U G = Ruggimenti Editore
S U P R = Supraphon
S A L = Salabert
S C H I = Schirmer
S C H O = Schott
S I K O = Sikorski
S Z = Suvini Zerboni
U E = Universal Edition
W E = Wilhelm Hansen
* opere eseguite in prima esecuzione assoluta